Farewell, Sir Olin

My father, Charles Olin Wright, died on Monday, June 22nd. To my dismay, he never got to read my novel.

Dad was the one who instilled in me a love for reading. We were always reading novels. My interest in sci-fi and fantasy novels came from him, though his reading tastes were much broader.

Through his books I discovered dragonriders of Pern, Cave Bear Clans and all of Saberhagen's Swords.

He was very interested in my novel, always asking for updates while I was writing it, hoping I'd finish it before he lost his battle with all his physical ailments.

Last year, during the summer, he was bound to a hospital bed for a couple of months. At that time I gave him everything I had so far on my book because I didn't know if I'd ever finish it before we lost him. I handed him what I had, which proved to be about half of the final manuscript, and he devoured it in just a day or two. I made a big push and finished the book in February of this year.

I asked him then if he wanted to read the final manuscript or wait to read the published book. He opted for the latter and that day never came. Earlier this month I gave him the entire manuscript, but his health had taken its final turn and he was never in condition to read it.

It remained unopened on a shelf in his hospital room.

If he had just opened the front cover, he'd see the Dedication Page and discover the book was dedicated to him. Galen Griffon is the name of my main character and his father is named Sir Olin, taken from my own father's middle name.

In the book, Sir Olin was a knight in shining armor in service to the Church. I can think of no better description of my dad.

Here's hoping they have a great bookstore in Heaven.

Farewell, Sir Olin.

Three Acts in a Galaxy Far, Far Away

Let's talk a little more about your basic three-act dramatic structure using an example most of us are probably very familiar with: the original Star Wars trilogy.

At its simplest, the three-act structure consists of:

I. Introduction

II. Complications

III. Resolution

The Star Wars movies are fun examples because everyone knows them and their structures are very obvious to anyone that cares to look for that sort of thing.

Let's look at Star Wars, the first movie, also known as A New Hope:

Act One takes place on Tatooine. We are introduced to all the key characters. Not only that, but right away- in the very first scene-- we see space ships, laser guns and robots. This establishes the kind of world the story will take place in, thereby setting the storytelling rules. This is vital. Because this is established early, then we don't blink an eye when a little while later we see strange alien creatures and a laser sword.

Imagine our reaction to a lightsaber thirty minutes into a movie like The Godfather or Beverly Hills Cop. It wouldn't work because of the storytelling rules set up at the beginning of the film. This is my main problem with Field of Dreams, which everyone else in the world seems to love. The supernatural element of the appearance of ghosts happens way, waay too far into the movie and there's been no establishment of those sort of "rules". To me, it's like Don Corleone using the Force. It doesn't work for me and, so, I hate the movie. I can't get into it.

Regardless, in A New Hope we not only firmly establish the milieu and genre, but we are introduced to all the key players while we are on Tatooine, the desert planet. The first Act ends in the climax of Luke, Ben and the droids escaping the planet with Han and Chewie on the Falcon. See how obvious that is? They leave the planet, end of Act One.

Act Two takes place on the Death Star as they seek to free Princess Leia. Again, it builds to a climatic scene in which Ben is killed by Darth Vader. This also functions as a "pinch fight", meaning it is a direct conflict with the main antagonist serving as a way to build tension toward the final Act's showdown. They leave the Death Star, end of Act Two.

Act Three is the trench battle around the Death Star. Of course it ends with the Death Star destroyed and the Good Guys win the day. But an important element in making this ending work is that it does involve a showdown with Darth Vader. Vader is established as the Main Bad Guy in the opening scenes of the movie, there is the "pinch fight" with Ben at the end of Act Two and therefore there must be a final showdown at the end of the movie. There must be, that's how it works.

Quickly: the other two movies. The Empire Strikes Back. Act One: Hoth. Act Two: Dagobah and Bespin. Act Three: Luke on Bespin.

The Star Wars movies are truly that simple in discerning the dramatic structure. In Return of the Jedi, Act One takes place on Tatooine, at Jabba's Palace. Act Two takes place on Dagobah and Endor. And Act Three is a rousing three-way climax between a spaceship dogfight battle, a ground battle on Endor and Luke's lightsaber fight with Vader.

But what I like even more about the trilogy is that you can "zoom out" so to speak and see all three movies as telling a single Three Act story, each movie serving as one Act in the play.

A New Hope: Introduction

The Empire Strikes Back: Complications

The Return of the Jedi: Resolution.

I hope to follow this pattern, to some extent, with my novels. Each book needs to stand on its own, structurally, but also I want the three novels together to serve a larger Three Act story.

A couple of more items: the final act's resolution needs to be true to your theme. The theme in Star Wars is one of redemption. When Darth Vader finally overcomes his evil ways and throws the Emperor to his death, he is redeemed. That final showdown is resolved in a way that deals directly with the idea of redemption.

Also, I believe a story is better served when there is not only an external conflict (the Empire versus the Rebellion) but an internal one as well (a belief that there is still good in Anakin). It is the internal conflict that often makes the main hero more relatable to the audience. The final act's resolution should address both of these. Again, this is something I hope to accomplish with my books.

One Step Forward, Two Steps Back

"Ryan was nearly killed twice in half an hour."

Those were the very first words by Tom Clancy I ever read. I had picked up a novel called Patriot Games and said I'll read the first page and if I like it, then I'll buy it. I only had to read that first line. My reaction: "Yep. I'll take this one!"

I love it when a book throws you right into the action at the very beginning. I do this with My Brother's Keeper. After a cryptic, foreshadowing prologue, readers are introduced to Galen smack in the middle of a sword fight. I like it. I think it works.

Now I began writing the follow-up novel but I ran into a problem: I didn't have that kind of strong opening for Galen this time around. The book opens with a couple of intriguing bits of action involving other characters in the prologue, but as I opened up Chapter One with Galen I didn't have anything real strong.

I considered revising the ending of the first book so that I could start Book 2 in a more interesting place. But that would have hurt the first book's ending. That ending needs to be what it is, structurally speaking.

By that, I mean each book in the series corresponds to an Act, so that the trilogy will ultimately tell a single Three Act Story. I want the first book to end at the end of Act One. It needs to. Anything else will be anti-climatic and take away from the sense of resolution I've been able to give the book.

So what did I do?

Well, perhaps unwisely, I just plowed ahead and wrote the opening Galen scene with what I had planned. Meaning, no real action, just a quiet little scene with dialogue introducing a couple of the characters. I didn't like it as much as I liked Galen's opening in the first book, but what could I do? My story is what it is.

Right?

Yeah, that's what I thought. So this past week I spent a few days on business in Baltimore and I was able to write the full first chapter of the second book (which will be entitled Marching As To War). I was happy that I actually made progress on the book, something I haven't done in a couple of months.

But then I expressed my misgivings about the opening with my buddy Sam McDavid. And wouldn't you know it? Sam gave me some great suggestions that will solve the problem. So thanks a lot, Sam, for making me throw out everything I managed to accomplish in Baltimore. I'm back to just the prologue and now I have to start all over again. Great pal.

But seriously, I know what Sam and I came up with for the revised opening is a great improvement so I know I'll use it, even though it creates a couple of problems I'll need to iron out. So I'd like to report that I got some writing on Marching As To War done this past week, but that meager step forward has a date with my Delete key. I'll take two steps back and make sure I nail an opening that will grab readers from the very beginning.

"Galen was nearly killed twice in half an hour." Has a nice ring to it, don't you think?

Short Studies

Things have slowed down a bit on the writing front. I'm still waiting on the cover artist's schedule to open up and I haven't written much on the second novel in the last few weeks. But in the meantime...

...I love short stories.

First, the are fun to write. I've mentioned the pair of stories out in Van's superhero anthology, but I've got another one due out sometime this year that I'm even more excited about. I'll talk that up once it is available.

But they are really fun to read and quite educational. For anyone aspiring to write, well-written short stories serve as great studies in story structure. It is important to understand the three-act or five-act structure and short stories are easier to decipher what the author is doing structurally.

I have recently picked up collections of O Henry and Edgar Allen Poe that I look forward to digging into. And Sir Arthur Conan Doyle penned many Sherlock Holmes short stories that are just gems of tight little stories. I have that collection as well.

In between my own writing and my regular diet of comic books, I'll be spending time with these guys as well as other classic authors. Thanks to a few gift cards and a "3 for 2" sale, I have just stocked my shelf with not only Henry, Poe and Doyle, but also Alexandre Dumas, H. G. Wells, Robert Louis Stevenson, H. Rider Haggard and probably a couple of others I'm forgetting.

It was through the study of short stories that I was able to get my head around story structure. Once I knew that, I could easily apply my plot to those requirements and soon I was typing away.

My First Autograph

I can now say I have signed my first autograph. I find that hilarious. It's strange the things that happen in your life sometimes:

I once made the Atlanta news attending the funeral of UGA IV, the University of Georgia's mascot.

Stan Lee, creator of Spider-Man, Fantastic Four and the X-Men, once told me "You're my hero."

I've been the onstage cameraman for Kenny Rogers and a rapper named Li'l Romeo.

I've directed Bart Starr and Mia Hamm.

I've even had a goat slain in my honor as an entire village sang my praises.

But none of those are as strange as attending a Sci-Fi/Fantasty Convention.

At one of these events, you can easily find yourself with a guy dressed as Chewbacca on one side of you and the actress who voiced the 1980s cartoon character Jem on the other side. Or you might see a panel discussion labeled "Hard Science" moderated by a girl dressed in faerie wings.

Those are actually two examples that really happened to me at ImagiCon in Birmingham on March 29th. And while it is a place to buy anything from old comics and Star Wars toys to replica swords from Lord of the Rings, it is also an opportunity for small-press genre publishers to market their books directly to the public.

My novel will be published by White Rocket Books, the company created by Van Plexico. And as it happens, Van was invited as a guest and was set up with a booth space for White Rocket. So I headed downtown to catch him there, hang out for a while and help with a comics-related panel.

And although my book isn't out yet (I'm still waiting patiently for the cover art), the short story anthology The Sentinels: Alternate Visions is available and Van was selling it at his table. While I was there behind the table with Van, a guy came up and bought the final copy. Van had brought 5 or 6 copies to the show, along with all the other books from White Rocket, and he sold out of the anthology early on Saturday.

So when the guy bought the book, Van signs it and then slides it over to me because two of my stories are in it. Suddenly, I'm staring at the title page of the book with a pen in my hand. I tried very hard to keep the grin off my face as I signed my autograph. For my fan. (Okay, more like "customer", but still...)

I don't know how prepared Sci-Fi Convention attendees will be for a book like mine with such strong spiritual content, but it also has plenty of swords, castles, creatures and catapults to interest fans of that genre.

Regardless, once my book is out I'll probably do more of these types of events as one way of marketing and selling it.

So I can look forward to signing more books for fans.

Even if they are dressed like Spock.

Character Sketch: Glamis

Here is the first look at a supporting character from my novel. This guy's name is Glamis Gryme. He is the chief advisor to the king with the title of Counsellor.

What is not generally known to the public of this Christian kingdom is that Glamis is actually a wizard. He is forced to keep his magical abilities a secret for political reasons. As the chief advisor, Glamis is clearly the true power behind the throne handling most of the decision-making for the kingdom's affairs.

Serving the king, however, is not his true priority. He has a secret agenda that he considers to be in service to the greater good.

Glamis is impatient by nature with little tolerance for those he perceives as intellectually inferior to him and for any who may hold prejudices against wizards.

Visually, in designing Glamis, I wanted to stay away from the stereotypical appearance of wizards. The long robes, pointy hats and long grey beards of characters like Merlin and Gandalf were all things I did not want to see on Glamis.

So he got a short beard, with only a touch of grey on the chin. And instead of flowing robes, he wears complicated, multi-layered garments as might be seen on members of royal courts. And I made the decision that his color palette would be a range of purple, spanning from near-black to lavender highlights. Mostly, the hues are subdued, deep violets. In the book, I usually describe them as wine-colored.

When I drew the above sketch, I didn't mean for him to look so much like General Zod (Terrance Stamp) from "SUPERMAN II", but that's exactly what happened. I decided that was okay, but realized I didn't have a firm idea on exactly what the outfit would look like, so I started looking at period movies for ideas.

Even though the historical era might not quite match up to my story, I found what I was looking for in Geoffrey Rush's character from the movie "ELIZABETH".

So this image here is something I cobbled together in Photoshop. That's Terrance Stamp's head (as General Zod) on Geoffrey Rush's body (from ELIZABETH). I doubt the Shakespearean collar would be a part of Glamis' look, but the broad shoulder pieces falling off similar to robes, the various layers and textures, and the jewelry all fit well with the design I have in my head.

Working in prose, I don't really have to get this detailed with my character designs. But by doing this, I assure myself that I'm writing consistently from a concrete visual design. This eliminates having to constantly look up my previous descriptions for the sake of consistency.

Book 2 Underway

I have now gone back through the manuscript for more tweaks and ironing out contradictions. I have also written the "Acknowledgments" and the "About the Author" pages. I might fiddle with the map a little bit more, but other than that, we can start on formatting the pages. All that's left beyond that is to wait patiently for the artwork and then design the cover.

Once that is done, "My Brother's Keeper" will finally see the light of day.

With this book largely in my rear view mirror, I've already turned my attention to Book 2. The second book will be called "Marching As To War". I was quickly able to break Galen's story down into individual beats because I've known for a while now exactly what would happen in the second book. In the last week I have sat down and figured out the story beats for all the various subplots and supporting characters that we will follow.

What I must do now is integrate these six or seven lists of story beats into a logical timeline so that it all works chronologically. This is the fun stuff. As soon as I blend all these plotlines into one master list then the book is essentially written. It then becomes a matter of realizing each scene in an entertaining way and breathing life into the characters.

I leave town on Saturday for about six days. I hope to have all my prep work completed by then and spend some time actually writing the book while I'm gone.

My Short Stories

There is not a lot of news to report in regards to the novel. The cover artist has been forced to delay getting started for reasons that are not only understandable but kind of exciting in their own way. I'll explain further once the artist has been announced.

In the meantime, I have been going back over the edited manuscript and figuring out the story beats for all the subplots in Book 2. I hit the road for a business trip on March 7th and I plan to have my stack of index cards ready by then so I can start working on the second volume during that trip.

But how would you like to read a couple of my stories right now? A pair of my short stories have just been published in the super-hero anthology The Sentinels: Alternate Visions.

I wrote the first one two years ago and I knocked out the second one last September. Both make references to Van Plexico's Sentinels series, but neither require having to read his books first. I'm pleased with both stories, I hope you enjoy them as well.

You can buy a copy directly from White Rocket Books or download the e-book for only $4.95 at the Lulu.com site.

It's exciting to see your work published and I have to thank Van for giving me this exposure. The Sentinels has been a successful enough series for a larger press to come in and buy the rights to it, so here's hoping the anthology can find the same audience.

Exciting Progress

Two major developments to report: the first round of copy editing is completed. I will now be going back over the manuscript, taking my own pass at catching errors and contradictions. Joe Crowe was extremely helpful and generous, so everybody give him a big hand.

The good news is Joe says he liked it! (yay!) He's the first person to read it and I either did not totally waste my time writing this thing or else he's just extremely kind. (Maybe both.) I could ask him for a review quote for use on the back cover of the book, but I'm afraid it might say something like "Great use of semi-colons! Complete command of apostrophes!" so maybe I won't do that.

The second major development is in regards to the cover art. I have agreed to terms with an artist that will be doing a painting for my cover. And, trust me, that particular understatement is a case of extreme restraint. I cannot express how excited and thrilled I am to have this particular artist working for me. His name might not be known to the general public at large, but to a certain percentage of the population his name is legendary.

He's had at least a 40-year career and I've personally been a fan of his work for over 20 years. Never in my life did I ever fathom that I could have him do something like this for me. Thank the wonders of the internet for allowing me to even track him down and correspond with him.

I won't announce the name just yet. But it's a done deal and it will happen. And regardless of whatever may be on the inside, at least my book is going to look fantastic!

So with a fully painted cover coming from one of my favorite artists, my excitement and enthusiasm for this project is not only renewed but off the charts. However, this does mean waiting a little bit longer before the book is available. I had been considering doing an advance edition with a simpler cover, but not now. I don't want to reduce the impact of the book coming out with the real cover right from the start.

In upcoming posts, I'll go into a little bit of how this book will be published and made available. I also have plenty of other character sketches on standby, waiting to be scanned in and shared.

Where Things Stand Now

Since I posted last week, the main development has been I've entered discussions with a particular artist from whom I hope to commission a cover painting. I'd rather not name the artist at this time because there's no deal in place yet, but suffice it to say he's a long-time professional and I'm a huge fan of his work.

To have the cover of my novel consist of a painting by this artist will be an unexpected thrill for me. I have spent time in the last week playing with design and composition ideas that I might want for the cover. No final decision has been made yet, but I can promise that it will not look anything like the mock-up I posted here a couple of weeks ago.

If this comes together like I want it to, this book is going to look fantastic!

In the meantime, the manuscript is still in Joe's hands for copy editing. Knowing my typing, it might take him a while. As I've skimmed through my copy, I've already noticed a couple of small details that need revising, but I'll hold off until I get the corrected copy from Joe. 

I have also created the interior illustration of the map. I rendered the whole thing in grayscale because it will be reproduced in black & white inside the book. I think it looks good, but I don't know how it will print. When I get my proof copy, I might discover the need to tweak the illustration.

I have also typed up some of the extra things that will go in the book. I've written the dedication, the acknowledgments, the "about the author" blurb and I've taken a shot at the descriptive text that will go on the back cover.

And to top it all off, I have spent a little bit of time the last couple of nights going over my outline and the notes on set action pieces that I have for Book 2.